WEBVTT 1 00:00:03.000 --> 00:00:08.100 Some of the stories in Digital Yoknapatawpha have audio recordings attached to them. 2 00:00:08.100 --> 00:00:13.300 If this is the case, a link will appear at the bottom left of the display controls. 3 00:00:13.300 --> 00:00:18.700 Clicking on the link will open up a new browser tab with a set of audio recordings 4 00:00:18.700 --> 00:00:20.766 attached to that particular story. 5 00:00:20.766 --> 00:00:26.599 These files come from a much larger audio archive curated by Steve Railton, 6 00:00:26.600 --> 00:00:28.666 called Faulkner at Virginia, 7 00:00:28.666 --> 00:00:32.966 and are digital versions of tape recordings that were made of Faulkner’s lectures 8 00:00:32.966 --> 00:00:39.932 while he was a Writer-in-Residence at the University of Virginia in 1957 and 1958. 9 00:00:39.933 --> 00:00:45.333 Generally, the title of each link is a paraphrase of a question asked by an audience member, 10 00:00:45.333 --> 00:00:50.266 and the audio recording is the original question accompanied by Faulkner’s answer. 11 00:00:50.266 --> 00:00:54.766 Clicking on the link brings up the audio player and a transcription of the exchange. 12 00:00:54.766 --> 00:00:57.066 Once the audio player is visible, 13 00:00:57.066 --> 00:01:02.166 the audio file can also be downloaded by clicking the menu ellipsis on the right. 14 00:01:02.166 --> 00:01:04.532 The recordings are as profound as they are funny. 15 00:01:04.533 --> 00:01:07.166 They sometimes add a level of depth to a story, 16 00:01:07.166 --> 00:01:12.199 while at other times it seems that Faulkner’s responses raise more questions than they answer. 17 00:01:12.200 --> 00:01:14.700 In all cases, they are worth a listen. 18 00:01:14.700 --> 00:01:20.033 With a “Rose for Emily,” it is interesting to listen to Faulkner’s answer to the question, 19 00:01:20.033 --> 00:01:23.166 “Conflict between North and South in the Story?” 20 00:01:23.166 --> 00:01:27.499 Faulkner claims that any symbolism related to the North and South is "incidental," 21 00:01:27.500 --> 00:01:34.133 and that, instead, the writer is trying to create an “authentic, credible flesh-and-blood character." 22 00:01:34.133 --> 00:01:35.733 The response is surprising. 23 00:01:35.733 --> 00:01:40.533 It suggests that the object of writing for Faulkner is not to deliver a “message,” 24 00:01:40.533 --> 00:01:43.299 but, rather, to tell stories about people. 25 00:01:43.300 --> 00:01:46.866 One may wonder how we reconcile Faulkner’s own version of this story, 26 00:01:46.866 --> 00:01:51.166 with readings of “A Rose for Emily” that tend to see it as a commentary on the treatment of 27 00:01:51.166 --> 00:01:54.199 women during the period immediately following the Civil War. 28 00:01:54.200 --> 00:01:59.133 Is this a story about one woman, or is this a story about women more generally? 29 00:01:59.133 --> 00:02:06.699 These recordings represent just a sliver of the 28 hours of audio available on the Faulkner at Virginia website. 30 00:02:06.700 --> 00:02:09.633 Clicking on the link will bring you to main site, 31 00:02:09.633 --> 00:02:13.299 where you can get more detailed information on these recordings, 32 00:02:13.300 --> 00:02:16.066 browse all of the individual recordings, 33 00:02:16.066 --> 00:02:19.566 search for a specific word in the recordings, 34 00:02:19.566 --> 00:02:22.699 or go through all the highlights in the archive. 35 00:02:22.700 --> 00:02:28.600 The archive also includes recordings of him reading from his work out loud, 36 00:02:28.600 --> 00:02:33.066 all of which are an invaluable guide to understanding the poetry of his language.